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Retrieved March 14, Computer Graphics World. Retrieved December 26, Retrieved December 15, Archived from the original on October 29, Retrieved December 4, Retrieved November 15, Creative Mac.

Archived from the original on November 5, Digital Arts. Adobe Blog. Retrieved May 17, Retrieved April 15, September April June May Archived from the original on March 5, October December Retrieved January 12, January 27, January 19, Retrieved January 19, Retrieved April 19, June 13, Retrieved November 6, October 18, January 23, Retrieved January 23, April 3, Retrieved April 3, Retrieved October 26, October 15, December 11, Retrieved December 13, January 24, Retrieved February 19, May 19, Retrieved May 28, October 20, March 10, Retrieved March 10, October 16, Retrieved October 27, Boris FX is a leading developer of visual effects software and plugins for film, video, and photography creative professionals.

Cycore Systems has developed some award winning effects such as Final Effects, Studio Effects and Cult Effects that have become the industry standard in the film and video industries. Video copilot is a collaborative resource for training, design tools and artists. It develops distinctive and innovative tools that improve the quality and speed of your production while offering freedom and flexibility.

Neat Video is a video noise reduction plug-in for After Effects. The plug-in efficiently reduces random noise, film gain, analog interference, flicker, jitter of details and compression artifacts. Neat video includes adaptive spatial and temporal filters that together provide the most accurate video noise reduction currently available. Rowbyte develops software programs that help artists create beautiful Motion Graphics and realistic Visual Effects.

The DataClay Templater 3. Render settings apply to the root composition for a render item, as well as all nested compositions. The default render settings template is assigned to a render item when it is created. To change which render settings template is the default, hold down Ctrl Windows or Command Mac OS as you choose a render settings template from the menu.

You perform the following tasks in the Render Settings Templates dialog box. Changes to an existing template do not affect render items that are already in the render queue. Each of these settings overrides composition settings, project settings, or layer switch settings.

You can choose how much information After Effects writes to a render log file. If you choose Errors Only, After Effects only creates the file if errors are encountered during rendering.

If you choose Plus Settings, a log file is created that lists the current render settings. If you choose Plus Per Frame Info, a log file is created that lists the current render settings and information about the rendering of each frame. The quality setting to use for all layers. See Layer image quality and subpixel positioning.

Resolution of the rendered composition, relative to the original composition dimensions. See Resolution. If you render at reduced resolution, set the Quality option to Draft. Rendering at Best quality when reducing resolution produces an unclear image and takes longer than Draft quality. Determines whether the disk cache preferences are used during rendering. Read Only writes no new frames to the disk cache while After Effects renders. Determines whether to use proxies when rendering.

Current Settings uses the settings for each footage item. See Placeholders and proxies. Current Settings default uses the current settings for Effect switches. All On renders all applied effects. All Off renders no effects. Solo Switches. Current Settings default uses the current settings for Solo switches for each layer. All Off renders as if all Solo switches are off.

See Solo a layer. Guide Layers. Current Settings renders guide layers in the top-level composition. All Off the default setting does not render guide layers.

Guide layers in nested compositions are never rendered. See Guide layers. Current Settings default uses the project bit depth. See Color depth and high dynamic range color. Frame Blending. On For Checked Layers renders frame blending only for layers with the Frame Blending switch set, regardless of the Enable Frame Blending setting for the composition.

See Frame blending. Field Render. Determines the field-rendering technique used for the rendered composition. Choose Off if you are rendering for film or for display on a computer screen. See Interlaced video and separating fields. Specifies the phase of pulldown. See Introduce pulldown. Current Settings uses the current settings for the Motion Blur layer switch and the Enable Motion Blur composition switch.

On For Checked Layers renders motion blur only for layers with the Motion Blur layer switch set, regardless of the Enable Motion Blur setting for the composition. Off For All Layers renders all layers without motion blur regardless of the layer switch and composition switch settings.

See Motion blur. How much of the composition to render. To render the entire composition, choose Length Of Comp. To render only the part of the composition indicated by the work area markers, choose Work Area Only.

To render a custom time span, choose Custom. See Work area. The sampling frame rate to use when rendering the movie. The actual frame rate of the composition is unchanged. The frame rate of the final encoded movie is determined by the output module settings. See Frame rate. Skip Existing Files. Lets you rerender part of a sequence of files without wasting time on previously rendered frames. When rendering a sequence of files, After Effects locates files that are part of the current sequence, identifies the missing frames, and then renders only those frames, inserting them where they belong in the sequence.

You can also use this option to render an image sequence on multiple computers. See Render a still-image sequence with multiple computers. The current image sequence must have the same name as the existing image sequence, and the starting frame number, frame rate, and time span must be the same.

You must render to the folder that contains the previously rendered frames. Output module settings apply to each render item and determine how the rendered movie is processed for final output. Use output module settings to specify file format, output color profile, compression options, and other encoding options for final output. You can also use output module settings to crop, stretch, or shrink a rendered movie; doing this after rendering is often useful when you are generating multiple kinds of output from a single composition.

Output module settings are applied to the rendered output that is generated according to the render settings.

For some formats, an additional dialog box opens when you choose the format in the Output Module Settings dialog box. You can modify these settings and use settings presets to specify format-specific options, such as compression options. You can apply multiple output modules to each render item, which is useful when you want to make more than one version of a movie from one render.

For example, you can automate the creation of a movie and its alpha matte, or you can create high-resolution and low-resolution versions of a movie.

Before rendering, check the Audio Output settings in the Output Module Settings dialog box to ensure that they are correct. To render audio, Audio Output must be selected. If your composition does not include audio, do not select Audio Output, so that the size of the rendered file does not increase needlessly.

You can set the output module of multiple render queue items at the same time. Select the render queue items, and then choose an output module template from the Output Module Settings menu for one of the items.

You can drag an output module to the Project panel to import the finished movie or a placeholder into the project for use as a footage item. Andrew Kramer provides a video tutorial with tips for working with proxies, output modules, and output module templates on the Video Copilot website. You can choose a custom output module settings template or one of the preset output module settings templates. Several templates are provided, including the Lossless template for creating movies for transfer to video, film, or an NLE system.

The default output module settings template is assigned to a render item when it is created. To change which output module template is the default, hold down Ctrl Windows or Command Mac OS as you choose an output module template from the menu. To change output module settings for multiple output modules at once, select the output modules and then choose an output module template. The template is applied to all selected output modules.

You perform the following tasks in the Output Module Templates dialog box. For information on using controls in the Color Management area of the Output Module Settings dialog box, see Assign an output color profile.

Include Project Link. Specifies whether to include information in the output file that links to the source After Effects project. When you open the output file in another application, such as Adobe Premiere Pro, you can use the Edit Original command to edit the source project in After Effects. Specifies whether to include XMP metadata in the output file from the files used as sources for the rendered composition.

XMP metadata can travel all the way through After Effects from source files, to footage items, to compositions, to rendered and exported files. Post-Render Action. Specifies an action for After Effects to perform after the composition is rendered. See Post-render actions. Format Options.

The output channels contained in the output movie. Not all codecs support alpha channels. Therefore, you do not have to specify an alpha interpretation each time you import an item created in After Effects. Specifies the color depth of the output movie.

Certain formats may limit depth and color settings. Specifies how colors are created with the alpha channel. Choose from either Premultiplied Matted or Straight Unmatted. See Alpha channel interpretation: premultiplied or straight. Specifies the number for the starting frame of a sequence. The Use Comp Frame Number option adds the starting frame number in the work area to the starting frame of the sequence. Specifies the size of your output movie.

Select Lock Aspect Ratio To if you want to retain the existing frame aspect ratio when resizing the frame. See Scaling a movie down and Scaling a movie up. Used to subtract or add rows or columns of pixels to the edges of the output movie. You can specify the number of rows or columns of pixels to be added or subtracted from the top, left, bottom, and right sides of the movie.

Use positive values to crop, and use negative values to add rows or columns of pixels. Select Region Of Interest to export only the region of interest selected in the Composition or Layer panel. See Region of interest ROI. By adding one row of pixels to the top and subtracting one row from the bottom of a movie, you can change the field order. Audio Output. Specifies the sample rate, sample depth 8 Bits or 16 Bits , and playback format Mono or Stereo. Choose a sample rate that corresponds to the capability of the output format.

Choose an 8-bit sample depth for playback on the computer, and a bit sample depth for CD and digital audio playback or for hardware that supports bit playback. The specifications for some formats impose limits on audio parameters. In such cases, audio options may be unavailable for modification in the Output Module Settings dialog box. Also, audio options for some formats are set in the export settings dialog box for that format. Click the warning icon to see a detailed message that describes how the output file will be modified to meet the format constraints.

You can go back and change composition settings, render settings, and output module settings if you don’t want After Effects to make the changes automatically in the output module.

For more information about output module constraints and the warnings for mismatches in frame rate, dimensions, and pixel aspect ratio, see the Adobe website. Compression is essential for reducing the size of movies so that they can be stored, transmitted, and played back effectively.

Compression is achieved by an encoder; decompression is achieved by a decoder. Encoders and decoders are known by the common term codec. No single codec or set of settings is best for all situations. For example, the best codec for compressing cartoon animation is generally not efficient for compressing live-action video. Similarly, the best codec for playback over a slow network connection is generally not the best codec for an intermediate stage in a production workflow.

For information on planning your work with final output in mind, see Planning your work. After Effects uses an embedded version of the Adobe Media Encoder to encode most movie formats through the Render Queue panel. For most output formats, you can specify format-specific encoding and compression options. In many cases, a dialog box opens and presents these options when you choose a format to export to or click the Format Options button in the Output Module settings dialog box.

See Output modules and output module settings. Key Frame Every. In QuickTime terminology, the term key frames refers to something different from the change-over-time keyframes placed in the After Effects Timeline panel. In QuickTime, key frames are frames that occur at regular intervals in the movie. During compression, they are stored as complete frames.

Each intermediate frame that separates them is compared to the previous frame, and only changed data is stored. Using key frames greatly reduces movie size and greatly increases the memory required to edit and render a movie.

Shorter intervals between key frames enable faster seeking and reverse playback, but can significantly increase the size of the file. Frame Reordering. Note : For more information on QuickTime, see the Apple website. You can use post-render actions to automate simple tasks that occur after a composition is rendered. Imports the rendered file into the project and substitutes it for the specified item.

Drag the pick whip to the item to replace in the Project panel to specify it. For example, you can set one render item to use a watch folder and multiple computers to create a still-image sequence, and then the next render item can render a single movie file from that still-image sequence.

See Network rendering with watch folders and render engines. Sets the rendered file as a proxy for the specified item. Drag the pick whip to the item in the Project panel item to specify it.

 
 

 

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Third-party plug-ins After Effects Search. Mocha Pro Sapphire Continuum. CycoreFX Cycore Systems has developed some award winning effects such as Final Effects, Studio Effects and Cult Effects that have become the industry standard in the film and video industries. Are you a third-party plugin developer? Sign in to your account. Sign in. When you place a composition into the Render Queue panel, it becomes a render item. You can add many render items to the render queue, and After Effects can render multiple items in a batch, unattended.

When you click the Render button in the upper-right corner of the Render Queue panel, all items with the status of Queued are rendered and output in the order in which they are listed in the Render Queue panel. You do not need to render a movie multiple times to export it to multiple formats with the same render settings. You can export multiple versions of the same rendered movie by adding output modules to a render item in the Render Queue panel. When working with multiple render items, it is often useful to add comments in the Comment column in the Render Queue panel.

In the Render Queue panel, you can manage several render items at once, each with its own render settings and output module settings. Output module settings—which are applied after render settings—determine post-rendering characteristics such as the following:. Using the Render Queue panel, you can render the same composition to different formats or with different settings, all with one click of the Render button, for example:.

You can output to a sequence of still images, such as a Cineon sequence, which you can then transfer to film for cinema projection. You can output using lossless compression or no compression to a QuickTime container for transfer to a non-linear editing NLE system for video editing. You can select, duplicate, and reorder render items using many of the same keyboard shortcuts that you use for working with layers and other items. See General keyboard shortcuts. To transfer the output rendered from After Effects to film or video, you must have the proper hardware for film or video transfer, or have access to a service bureau that can provide transfer services.

To create a composition from a footage item and immediately add that composition to the render queue, drag the footage item from the Project panel to the Render Queue panel.

It is a convenient way to convert a footage item from one format to another. Click the triangle next to Output To in the Render Queue panel to choose a name for the output file based on a naming convention, and then choose a location; or click the text next to the Output To setting to enter any name. See Specify filenames and locations for rendered output. Click the triangle to the right of Render Settings to choose a render settings template, or click the underlined text to the right of the Render Settings to customize the settings.

See Render settings. When a log file has been written, the path to the log file appears under the Render Settings heading and Log menu. Click the triangle to the right of the Output Module to choose an output module settings template, or click the underlined text to the right of Output Module to customize the settings.

You use the output module settings to specify the file format of the output movie. In some cases, a format-specific dialog box opens after you choose a format, in which you can choose format-specific settings. If you have new preferences as opposed to upgraded or imported preferences, the output module default is set to High Quality. See Output modules and output module settings and Encoding and compression options for movies.

When an output name and location have been set, and render settings and an output module have been selected, the entry in the Render column automatically becomes selected shown by a check mark and the status changes to Queued. The status Queued means that the render item is in the render queue. Press Caps Lock before you start rendering to prevent the Composition panel from displaying rendered frames.

By not updating the Composition panel, After Effects requires less time to process simple render items with many frames. To fasten the process, use Multi-Frame Rendering. See this tutorial to learn how to use the render queue to export files. When rendering of a render item is complete, it remains in the Render Queue panel with its status changed to Done until you remove the item from the Render Queue panel.

You cannot rerender a completed item, but you can duplicate it to create a new item in the queue with the same settings or with new settings. After an item has been rendered, you can import the finished movie as a footage item by dragging its output module from the Render Queue panel into the Project panel. See Import footage items.

The dynamic Current Render bar represents memory usage – bright green is frames currently rendering, blue is frames written to disk, and dark green in between is frames that have been rendered but not written to disk. The render item is listed in the Render Queue panel but is not ready to render.

Confirm that you have selected the desired render settings and output module settings, and then select the Render option to queue the render item. Needs Output. An output filename has not been specified. Choose a value from the Output To menu, or click the underlined Not Yet Specified text next to the Output To heading to specify a filename and path.

After Effects was unsuccessful in rendering the render item. Use a text editor to view the log file for specific information on why the rendering was unsuccessful. User Stopped. If the disk to which an output module is writing runs out of space, After Effects pauses the render operation. You can clear additional disk space and then resume rendering and exporting. The render item for which rendering was stopped is assigned the status User Stopped, and a new item with the status of Queued is added to the Render Queue panel.

The new item uses the same output filename and has the same duration as the original render item. The render item for which rendering was stopped is assigned the status User Stopped, and a new item with the status of Unqueued is added to the Render Queue panel. The new item uses an incremented output filename and resumes rendering at the before frame at which rendering was stopped—so the first frame of the new item is the last successfully rendered frame of the stopped item.

Basic information about the current batch of renders is shown at the bottom of the Render Queue panel:. To view more information about the current render operation, click the triangle to the left of the Current Render heading. The Current Render pane collapses closes after a short time. To view details of a completed render, review the log file. A chime plays when all items in the render queue have been rendered and exported; a different sound plays if a render operation fails.

The sounds folder is in the following location:. After Effects can send you remote notifications after the rendering process is complete, eliminating the need to wait at your machine to know when the files are ready.

Notifications are sent to your Creative Cloud mobile desktop app, your mobile device with the linked Creative Cloud app installed, along with your smart watch linked with your mobile. You can also export After Effects compositions directly into Adobe Media Encoder, which offers the flexibility to continue working in After Effects while files are being processed.

To fasten the process, use Mutli-Frame Rendering. When you use Adobe Media Encoder, you can also use additional presets and options that are not available in the After Effects Render Queue. You can add your composition to the Adobe Media Encoder Queue using one of the following methods:. The output module settings, such as format settings or color channel selection, are not transferred to Adobe Media Encoder when you choose the Queue in AME option.

The output filename and location are transferred, however, Adobe Media Encoder does not use the filename and location templates, which may result in image sequence numbering mismatch. The Import After Effects Composition dialog box opens. Choose the composition you want to encode. Encode the file as you normally would by choosing presets and an output location in Adobe Media Encoder.

After Effects provides various formats and compression options for output. Which format and compression options you choose depends on how your output will be used. By contrast, if the movie that you create from After Effects is an intermediate product that will be used as input to a video editing system, then you should output without compression to a format compatible with the video editing system.

See Planning your work. Keep in mind the fact that you can use different encoding and compression schemes for different phases of your workflow.

For example, you may choose to export a few frames as full-resolution still images for example, TIFF files when you need approval from a customer about the colors in a shot; whereas you may export the movie using a lossy encoding scheme for example, H.

You can add the ability to export other kinds of data by installing plug-ins or scripts provided by parties other than Adobe. The Collect Files command gathers copies of all the files in a project or composition into a single location.

Use this command before rendering, for archiving, or for moving a project to a different computer system or user account. When you use the Collect Files command, After Effects creates a new folder and the following information is saved in the new folder:. After you collect files, you can continue making changes to a project, but be aware that those changes are stored with the original project and not with the newly collected version.

For All Comps. For Selected Comps. Collects all footage files and proxies used in compositions currently selected in the Project panel. For Queued Comps. Collects all footage files and proxies used directly or indirectly in any of the compositions with a Queued status in the Render Queue panel. None Project Only. Generate Report Only.

Obey Proxy Settings. Use this option with compositions that include proxies to specify whether you want the copy to include the current proxy settings. If this option is selected, only the files used in the composition are copied. If this option is not selected, the copy contains both proxies and source files, so you can later change proxy settings in the collected version. If you choose For Queued Comps in the Collect Source Files dialog box, After Effects uses the proxy settings from the render settings, not the composition.

Reduce Project. Change Render Output To. Use to redirect the output modules to render files to a named folder in the collected files folder. Rendering status must be valid Queued, Unqueued, or Will Continue for the output modules to render files to this folder. You can use the Collect Files command to save projects to a specified watch folder and then initiate watch-folder rendering over a network.

After Effects and any installed render engines can then render the project together across a network. See Set up watch-folder rendering. Maximum Number Of Machines. Use to specify the number of render engines or licensed copies of After Effects that you want to allocate to render the collected project.

Below this option, After Effects reports how many items in the project will be rendered using more than one computer. If rendering time is unusually long, you may have set Maximum Number Of Machines too high, and the network overhead required to track rendering progress among all computers is out of proportion to the time spent actually rendering frames. The optimal number depends on many variables related to the network configuration and the computers on it; experiment to determine the optimal number for your network.

Once you start the file collection, After Effects creates the folder and copies the specified files to it. The folder hierarchy is the same as the hierarchy of folders and footage items in your project. The new folder includes a Footage folder and may include an output folder if you selected Change Render Output To. The names of these folders appear in parentheses to signal to any attending render engines that they should not search these folders for projects.

You can locate a previously rendered item or check the destination of a queued render item by expanding the Output Module group in the Render Queue panel and clicking the underlined file path, or by right-clicking Windows or Control-clicking Mac OS the Output Module heading.

You can use custom templates to name the output according to properties of the composition and project. If you want to base the new file-naming template on an existing template, choose the existing template from the Preset menu. Click in the Template box where you want to insert a file-naming rule, and do any of the following:.

To save the file-naming template as a preset for future use in the Output To menu, click the Save button. In the Choose Name dialog box, enter a name for the file-naming template, and click OK. The Use Default File Name And Folder preference ensures that all compositions added to the render queue are automatically assigned a unique output filename except for files created by saving previews, which still use the composition name.

April June May Archived from the original on March 5, October December Retrieved January 12, January 27, January 19, Retrieved January 19, Retrieved April 19, June 13, Retrieved November 6, October 18, January 23, Retrieved January 23, April 3, Retrieved April 3, Retrieved October 26, October 15, December 11, Retrieved December 13, January 24, Retrieved February 19, May 19, Retrieved May 28, October 20, March 10, Retrieved March 10, October 16, Retrieved October 27, Retrieved Retrieved March 19, May 18, This saves time, and is quick and simple.

Existing animation presets also work correctly when applied to right-to-left text. Combining numbers or English letters with the right-to-left languages is seamless.

After Effects identifies these characters and automatically animates them in the correct character order. So, you don’t need to animate them separately.

Read the full changelog. Who is the application for and what to expect from it Adobe After Effects is a well-known application, part of the larger Adobe Creative Cloud suite. Customizations, plugins, and the tool’s interface Like all Adobe products, Adobe After Effects’s GUI is modern-looking and offers a bunch of customizations.